GME News
This past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.
Read MoreThis past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.
Read MoreThis past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.
Read MoreFollowing the in-person screening of his film STOP (1995-2012) at the Odeon Kino on March 3rd, Preiss’ shorter films from the 1980s through 2006 that comprise “Orchard Documents,” will be on view at the Clementin Seedorf gallery in Cologne until April 21, including TAPE_SPLICES_for_WARREN.
Read MoreThis past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.
Read MoreIn the spirit of the year-end lists of recent and retrospective, enduring film triumphs, GME is happy to share in some of the list-making and cinematic memories. Excitement and conversations (and arguments) stirred up by 2022’s prominent list highlights from BFI's Sight Sound has prompted us to round up a somewhat broader, consensus driven collection of films from across a diverse categorization of filmic art, the zone in which GME lives.
Read MoreGartenberg Media is proud to present multiple DVD, Blu-ray and DSL editions of several featured filmmakers in our catalog, including extensive representation of the work of James Benning, Philippe Garrel, Marie Losier, Jonas Mekas, Warren Sonbert, Henri Storck, Dziga Vertov and others.
Read MoreLooking ahead to the fall semester, GME would like to remind you of some of our popular titles that can be utilized for thematic teaching purposes, while also preparing you for a selection of new titles from Kino Lorber, Re:voir, Index Edition, Edition Filmmuseum, and others, soon to be released as downloadable DSL files and Disk/DSL bundles through GME Streamline.
Read More1962 to 1964 was a pivotal moment in the evolution of American arts and culture, especially in New York City. These years, crucial to the development of Pop, Minimalism, and performance, saw the emergence of a new generation of radical artists, as well as venues that gave their iconoclastic work a home and a context. Movies, meanwhile, were undergoing a transformation of their own: the rise of a truly independent cinema, of works unencumbered by the medium’s aesthetic conventions and commercial imperatives.
Read MoreEsfir (Esther) Shub’s SEGODNYA (USSR, 1930), straight from Gosfilmofond, the most extensive Russian film archive, will be screened for the first time in the US since 1932. It will be shown June 2nd at Women and the Silent Screen (WSS), a biennial international conference sponsored by Women and Film History International (WFHI).
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