GME News
This past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.
Read MoreIn the early 1960s, a number of filmmakers emerged in the United States and Europe to produce remarkable films that challenged any previous formal tendency in avant-garde filmmaking. The Structuralist filmmakers—including Peter Kubelka, Tony Conrad, Paul Sharits, and Kurt Kren––arranged their shots according to mathematical principles, attempting to produce non-narrative and non-illusionist films to oppose the cinematicapparatus. Similar to the advent of Minimalism in painting and sculpture, structural films insisted on shape, and their content was minimal and subsidiary to the outline.
Read MoreLooking ahead to the fall semester, GME would like to remind you of some of our popular titles that can be utilized for thematic teaching purposes, while also preparing you for a selection of new titles from Kino Lorber, Re:voir, Index Edition, Edition Filmmuseum, and others, soon to be released as downloadable DSL files and Disk/DSL bundles through GME Streamline.
Read MoreGME would like to remind you of the recently made availability of a premiere selection of experimental and independent films from the Re:voir Collection, now available as digital files for streaming on university intranet servers. For more than 20 years, Gartenberg Media Enterprises has partnered with Re:voir in making available a diverse and fragile body of experimental and independent films, both classic and contemporary, that merits exposure to a wider audience.
Read MoreGME is pleased to announce the availability of a premiere selection of experimental and independent films from the Re:voir Collection, now available as high quality digital files for streaming on university intranet servers. For more than 20 years, Gartenberg Media Enterprises has partnered with Re:voir in making available a diverse and fragile body of experimental and independent films, both classic and contemporary, that merits exposure to a wider audience. We have kept current with the technological changes in formats for the delivery of these cutting edge works to our educational clients, first by releasing editions of Re:voir publications in VHS, then DVD, and now, in high quality digital files as digital site licenses.
Read MoreWith the fall academic semester nearing completion, GME is pleased to present a robust selection of DVD and Blu-ray publications from the breadth and depth of a century of film history (the 1920’s to 2020).
Read MoreThe found footage works of Austrian filmmakers Alfred Kaiser (1940 – 1994) from the 1970s (DECOMPOSING NAZI PHRASEOLOGY) and the later films of Virgil Widrich (VIRGIL WIDRICH – SHORT FILMS [1998-2019]) are lesser known than those of Gustav Deutsch and Peter Tscherkassky, but are equally significant in their own right. Kaiser’s films illustrate and demolish the world of Nazi thought and imagery, while Widrich’s films explore time and space, especially the illusion of 3-dimensionality in cinema.
Read MoreGME is pleased to present a robust selection (for the fall academic semester) of DVD and Blu-ray publications from the breadth and depth of a century of film history (the 1920’s to 2020).
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