LGBTQ+ Films and Filmmakers

LGBTQ+ Films and Filmmakers

Beginning in the 1980s, Queer Studies became popular in academic curricula and has resulted, over the ensuing decades, in a body of literature about films and filmmakers viewed through this lens. In honor of LGBTQ+ History Month, GME highlights an array of moving image works that we distribute (both classic and contemporary) by LGBTQ+ artists and/or about topics and themes relevant to the LGBTQ+ community. These works are available to academic institutions in North America, and are distributed in collaboration withIndex Edition, Re:Voir Video, Flicker Alley, MētisPresses, Kino Lorber, and Edition Filmmuseum.

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Two Warren Sonbert Films Screen in "The Motown Sound and the Queer Underground," curated by GME associate Matt McKinzie

Two Warren Sonbert Films Screen in "The Motown Sound and the Queer Underground," curated by GME associate Matt McKinzie

On Friday, August 30th, at 7:30pm, Warren Sonbert’s first two films AMPHETAMINE (1966) and WHERE DID OUR LOVE GO? (1966) will screen at Spectacle Theater (124 S. 3rd St.) in the program The Motown Sound and the Queer Underground, curated by GME associate Matt McKinzie as part of the series Sonic Visions: Experiments in Cinema and Music, presented by the Film-Makers’ Cooperative. Sonbert’s Estate has previously named GME as the custodian of his legacy, and since the artist’s untimely passing, GME has worked on an extensive project to preserve, distribute, and curate career retrospectives of his films on an international basis, as well as publish original documents from the paper archive of his writings.

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July 2024 Roundup Related to GME Titles, Artists, and Colleagues

July 2024 Roundup Related to GME Titles, Artists, and Colleagues

It may be the dog days of summer, but that hasn’t stopped GME from keeping busy. Today, we reflect on screenings, events, and celebrations from July related to our multifaceted projects. Notably, an archival gem relevant to MoMA’s month-long Powell and Pressburger retrospective was unearthed from GME President Jon Gartenberg’s papers, and a true crime film by James Benning (whose films we exclusively distribute to North American universities) screened at Anthology Film Archives.

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June 2024 Roundup Related to GME Titles, Artists, and Colleagues

June 2024 Roundup Related to GME Titles, Artists, and Colleagues

Happy Summer from Gartenberg Media Enterprises! Today we reflect on screenings, events, and celebrations from June, in New York City and beyond, related to GME’s multifaceted projects. Notably, a suite of films by Warren Sonbert, whose body of work and legacy GME represents, played at the National Gallery of Art, while several films by Alexander Kluge, whose work GME distributes to the North American University Market, were shown at e-Flux Screening Room as part of an extensive, week-long retrospective.

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May 2024 Roundup Related to GME Titles, Artists, and Colleagues

May 2024 Roundup Related to GME Titles, Artists, and Colleagues

It’s finally June, and with the start of summer officially just around the corner, here is a recap of screenings, events, and celebrations from May, in New York City and beyond, related to GME’s multifaceted projects. Notable exhibition programs include a suite of films by Man Ray at Boston’s Brattle Theatre and a collaboration between the Film-Makers’ Cooperative and Film at Lincoln Center; both programs featured filmmakers and films GME distributes to universities in North America. Also in May, MoMA and Anthology Film Archives mounted retrospectives of the work of Warren Sonbert’s colleagues Nathaniel Dorsky and Jerome Hiler, both of whom GME featured in a compilation reel of clips from Sonbert’s films. Additionally, GME licensed three photographs from the Raimondo Borea collection for two books and a documentary film.

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Warren Sonbert's AMPHETAMINE Screens at the KW Institute of Contemporary Art in Berlin June 7th-9th

Warren Sonbert's AMPHETAMINE Screens at the KW Institute of Contemporary Art in Berlin June 7th-9th

From June 7th to 9th, Warren Sonbert’s debut film AMPHETAMINE (1966, co-directed with Wendy Appel) will screen in Berlin at the KW Institute of Contemporary Art, as part of Billy Bultheel and James Richards’ multimedia exhibition Workers in Song. Bultheel and Richards’ show premiered at WIELS last year, and was co-commissioned by WIELS, Batalha Centro de Cinema, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, and the KW Institute.

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April 2024 Roundup Related to GME Titles, Artists, and Colleagues

April 2024 Roundup Related to GME Titles, Artists, and Colleagues

Happy May from Gartenberg Media Enterprises! Today, we’re reflecting on screenings, events, and celebrations from April, in New York City and beyond, related to GME colleagues, as well as titles and/or artists in our collection that we distribute to the North American university market. Notably, films by Warren Sonbert and Jean-Pierre Melville played at Sweet Void Cinema and Film Forum, respectively. GME also highlighted Hugh Bell’s portraits of jazz legends for International Jazz Day, and reflected on Jack Mitchell’s photos of dancer and choreographer Arthur Mitchell, founder of Dance Theatre of Harlem, on the occasion of DTH’s festival-style weekend of performances at New York City Center.

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In Recognition of the Upcoming Nathaniel Dorsky/Jerome Hiler Retrospective at MoMA, GME Highlights On Our Website Scenes of the Duo from Warren Sonbert's Films

In Recognition of the Upcoming Nathaniel Dorsky/Jerome Hiler Retrospective at MoMA, GME Highlights On Our Website Scenes of the Duo from Warren Sonbert's Films

This week, The Museum of Modern Art will mount the series Illuminated Hours: The Cinema of Nathaniel Dorsky and Jerome Hiler, which coincides with the American release of the book of the same name, edited by Francisco Algarín Navarro and GME associate Carlos Saldaña. Later, from May 17th to May 19th, Anthology Film Archives will host the series Illuminated Hours: Three Evenings with Nathaniel Dorsky and Jerome Hiler, also in conjunction with Navarro and Saldaña’s book. Dorsky and Hiler were close friends and filmmaking colleagues of Warren Sonbert from the mid-1960s onward. All three helped pioneer the editing style known as “polyvalent montage.” The following video compiles Dorsky and Hiler’s appearances in Sonbert’s films THE TENTH LEGION (1967), HOLIDAY (1968), and NOBLESSE OBLIGE (1981) soundtracked by Frank Sinatra’s “Young at Heart,” which Sonbert features in THE TENTH LEGION. Since 1995, GME President Jon Gartenberg has worked to further Sonbert’s legacy through a comprehensive program of preservation, distribution, programming, and publishing.

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