GME Distributes Films by Carl Th. Dreyer, Which Play in Anthology Film Archives' Essential Cinema Screenings for January

GME Distributes Films by Carl Th. Dreyer, Which Play in Anthology Film Archives' Essential Cinema Screenings for January

As part of their Essential Cinema series — a “collection of films screened on a repertory basis… consist[ing] of 110 programs [and] 330 titles assembled [from] 1970 [to] 1975” — Anthology Film Archives will show seven works by Danish filmmaker Carl Th. Dreyer from January 6th to January 13th. Five additional works by Dreyer, distributed by GME on DVD and/or Blu-Ray to the North American university market, are a perfect complement to this program.

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GME Notes Critically Acclaimed New and Notable Bandcamp Release by William Susman

GME Notes Critically Acclaimed New and Notable Bandcamp Release by William Susman

American composer William Susman has created a distinctively expressive voice in contemporary classical music, with a catalog that includes orchestral, chamber, and vocal music, as well as numerous film scores. He is the composer of the haunting score for Steven Bilich’s 2006 award winning NATIVE NEW YORKER, a film that reflects on the enormity of the 9/11 attack on New York…

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NYC's Poster House Exhibits Revolutionary Soviet Films Posters

NYC's Poster House Exhibits Revolutionary Soviet Films Posters

The Utopian Avant-Garde: Soviet Film Posters of the 1920s explores the origins, high points, and eventual demise of this golden age of Soviet graphic design, a revolutionary, though doomed visual language that for a short time represented the explosion of dynamic, innovative filmmaking in the new Socialist society. Gartenberg Media distributes several of the milestone Soviet films which are well represented in this exhibition, including KINO-EYE (1924), BATTLESHIP POTEMKIN (1926), A SIXTH PART OF THE WORLD (1926), and TURKSIB (1929).

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Films and Filmmakers Distributed by GME Showing in New York, 1962–1964: Underground and Experimental Cinema Series and Exhibition by Film at Lincoln Center, Film Forum and the Jewish Museum

Films and Filmmakers Distributed by GME Showing in New York, 1962–1964: Underground and Experimental Cinema Series and Exhibition by Film at Lincoln Center, Film Forum and the Jewish Museum

1962 to 1964 was a pivotal moment in the evolution of American arts and culture, especially in New York City. These years, crucial to the development of Pop, Minimalism, and performance, saw the emergence of a new generation of radical artists, as well as venues that gave their iconoclastic work a home and a context. Movies, meanwhile, were undergoing a transformation of their own: the rise of a truly independent cinema, of works unencumbered by the medium’s aesthetic conventions and commercial imperatives.

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GME Staff Visits Jewish Museum’s Jonas Mekas Exhibit

GME Staff Visits Jewish Museum’s Jonas Mekas Exhibit

Jon, David and Fred recently visited Jonas Mekas: The Camera Was Always Running exhibition at the Jewish Museum to experience the multi-screen experience of this major filmmaking and cultural figure, who is also a central artist in GME’s collection.

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GME NOTES WITH SADNESS THE PASSING OF FILM LEGEND JEAN-LOUIS TRINTIGNANT

GME NOTES WITH SADNESS THE PASSING OF FILM LEGEND JEAN-LOUIS TRINTIGNANT

Jean-Louis Trintignant, a leading French actor of subtle power who appeared in some of the most celebrated European films of the last 50 years, among them Bernardo Bertolucci’s THE CONFORMIST, Eric Rohmer’s MY NIGHT AT MAUD’S and Claude Lelouch’s A MAN AND A WOMAN, passed away recently at his home in southern France. He was 91.

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GME Celebrates Jewish Museum’s Reprise of Filmmakers’ Cinematheque Screenings

GME Celebrates Jewish Museum’s Reprise of Filmmakers’ Cinematheque Screenings

In conjunction with the retrospective of artist - filmmaker Jonas Mekas at the Jewish Museum, films originally programmed at the Jewish Museum by Mekas in 1969 are being shown through the end of this month. Not shown in the current series, but screened back in 1969 was Warren Sonbert’s THE TUXEDO THEATRE.

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New American Cinema Tour, Which Included Warren Sonbert's 1966 Where Did Our Love Go?, Discussed at Turin Symposium

New American Cinema Tour, Which Included Warren Sonbert's 1966 Where Did Our Love Go?, Discussed at Turin Symposium

Framework: The Journal of Cinema and Media has co-sponsored the symposium, "Transatlantic Experimental Film Connections and Influences: New American Cinema and Europe in the 1960s and Afterwards," held May 26, 2022 in Turin Italy. The symposium brings together scholars, archivists and writers to discuss the occasion of the momentous introduction of the New American Cinema (NAC) at Spoleto in 1961 and the longevity of its impact.

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