Hou Hsiao-Hsien's THE BOYS FROM FENGKUEI Screens at New York's Asia Society and Museum on January 8th

/
Hou Hsiao-Hsien's THE BOYS FROM FENGKUEI Screens at New York's Asia Society and Museum on January 8th

Tonight, January 8th, at 6:30pm, an imported 35mm print of Hou Hsiao-Hsien’s THE BOYS FROM FENGKUEI (1983) will screen at New York’s Asia Society and Museum as part of Films To See Before You Die, an ongoing monthly series featuring “classic films and underseen gems from across Asia and the Asian diaspora with extended introductions by Asia Society's Curator of Film.” GME distributes THE BOYS FROM FENGKUEI in the collection HOU HSIAO-HSIEN: EARLY WORKS, which also features the filmmaker’s earlier features CUTE GIRL (1980) and THE GREEN, GREEN GRASS OF HOME (1982). The collection is available to North American academic institutions as a DVD published by Cinematek, which includes three audiovisual essays by Adrian Martin and Cristina Álvarez López as bonus features, and is accompanied by a multi-lingual booklet by Tom Paulus.

Read More

GME Highlights Work by Asian Filmmakers We Distribute on Digital Formats

/
GME Highlights Work by Asian Filmmakers We Distribute on Digital Formats

GME is expanding its international distribution reach and is thrilled to incorporate works by Asian filmmakers, including Lav Diaz (Philippines), Hou Hsiao-hsien (Taiwan), and Apichatpong Weerasethakul (Thailand). These films span narrative and experimental modalities and are available to the North American university market in digital formats.

Read More

4K Restoration from the 35mm original negative of Hou Hsiao-hsien’s FLOWERS OF SHANGHAI Streaming in Film Forum's Virtual Cinema: Repertory Program Starting November 20th

/
4K Restoration from the 35mm original negative of Hou Hsiao-hsien’s FLOWERS OF SHANGHAI Streaming in Film Forum's Virtual Cinema: Repertory Program Starting November 20th

Bathed in the golden glow of oil lamps and wreathed in an opium haze, Hou Hsiao-Hsien’s FLOWERS OF SHANGHAI (1998, 113 minutes) traces the romantic intrigues, jealousies, and tensions swirling around a 19th century Shanghai brothel, where the courtesans are ensconced in opulent splendor, yet forced to work to buy back their freedom. Among the regular clients is Tony Leung Chiu-wai's taciturn Master Wang, whose relationship with longtime mistress Michiko Hada is agitated by a perceived act of betrayal. Composed in a procession of long takes, FLOWERS OF SHANGHAI evokes a vanished world of decadence and cruelty, an insular universe where much of the action remains tantalizingly offscreen.

Read More