GME News
On Monday, January 29th, at 7pm, the Film-Makers’ Cooperative will show four films about “Happenings” in a program aptly titled WHAT’S HAPPENING?. A perfect companion to this program is the 17-film boxset FLUXFILM ANTHOLOGY, which GME distributes to the North American university market as both a DSL file and DVD.
Read MoreThis past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.
Read MoreIn the early 1960s, a number of filmmakers emerged in the United States and Europe to produce remarkable films that challenged any previous formal tendency in avant-garde filmmaking. The Structuralist filmmakers—including Peter Kubelka, Tony Conrad, Paul Sharits, and Kurt Kren––arranged their shots according to mathematical principles, attempting to produce non-narrative and non-illusionist films to oppose the cinematicapparatus. Similar to the advent of Minimalism in painting and sculpture, structural films insisted on shape, and their content was minimal and subsidiary to the outline.
Read MoreIn the spirit of the year-end lists of recent and retrospective, enduring film triumphs, GME is happy to share in some of the list-making and cinematic memories. Excitement and conversations (and arguments) stirred up by 2022’s prominent list highlights from BFI's Sight Sound has prompted us to round up a somewhat broader, consensus driven collection of films from across a diverse categorization of filmic art, the zone in which GME lives.
Read MoreGME would like to remind you of the recently made availability of a premiere selection of experimental and independent films from the Re:voir Collection, now available as digital files for streaming on university intranet servers. For more than 20 years, Gartenberg Media Enterprises has partnered with Re:voir in making available a diverse and fragile body of experimental and independent films, both classic and contemporary, that merits exposure to a wider audience.
Read MoreIn Correspondencias : Cartas como películas, many of these letters do not only reveal secret friendships (Louis Lumière and George Méliès), but also unknown collaborations (Orson Welles and Robert J. Flaherty) or projects, which without these letters would have remained undocumented (Maya Deren’s idea of making a film about the circus, Pasolini’s proposal to Jacques Tati to participate in Porcile); other letters mark the end of a collaboration (Marguerite Duras, proposing a script to Alain Resnais, who after being rejected, would go on to film it herself). Other correspondences asking for help at times of creative confusion (Paul Sharits to Stan Brakhage, Stan Brakhage to Hollis Frampton, Gregory Markopoulos to Stan Brakhage); they document major historical moments (the War in the case of F. W. Murnau or Robert J. Flaherty, the political situation in Indonesia, Italy or France in the case of Joris Ivens, Pasolini or Truffaut), they appear like the chronicles of a journey (S. M. Eisenstein, Chick Strand and Ron Rice from Mexico, Warren Sonbert from Morocco, Resnais from Hiroshima, Ivens from Australia, Peter Hutton from Germany, Murnau from Latvia, Allen Ginsberg from India) or even greet other poets (like the letters-gift from Eric Rohmer, Anne-Marie Miéville or Chris Marker).
Read MoreGME is pleased to announce the availability of a premiere selection of experimental and independent films from the Re:voir Collection, now available as high quality digital files for streaming on university intranet servers. For more than 20 years, Gartenberg Media Enterprises has partnered with Re:voir in making available a diverse and fragile body of experimental and independent films, both classic and contemporary, that merits exposure to a wider audience. We have kept current with the technological changes in formats for the delivery of these cutting edge works to our educational clients, first by releasing editions of Re:voir publications in VHS, then DVD, and now, in high quality digital files as digital site licenses.
Read MoreHALLELUJAH THE HILLS
(1963) Adolfas Mekas.
Format: DVD PAL / Region 0, No Regional Code.
Institutional Sale Price: $200.00 plus shipping & handling.
FLUXFILM ANTHOLOGY
(1962-1979) FLUXUS: Nam June Paik, Dick Higgins,
George Macuinas, Chieko Shiomi, John Cavanaugh,
James Riddle, Yoko Ono, George Brecht, Robert Watts,
Pieter Vanderbiek, Joe Jones, Eric Anderson, Jeff Perkins,
Wolf Vostell, Albert Fine, George Landow, Paul Sharits,
John Cale, Peter Kennedy, Mike Parr, Ben Vautier.
Format: DVD PAL / Region 0, No Regional Code.
Institutional Sale Price: $200.00 plus shipping & handling.
These DVDs are available on an exclusive basis for sale to educational organizations in North America (universities, libraries, & other cultural institutions), and include public performance rights. Public performance rights extend to use in classrooms and in other non-commercial settings where no admission is charged.
For more information on the these titles visit here.
For information on ordering by fax, email or post visit here.
To order by phone please call: 212.280.8654
