Warren Sonbert's HALL OF MIRRORS Screens at New Music Circle on January 18th

Warren Sonbert's HALL OF MIRRORS Screens at New Music Circle on January 18th

On Saturday, January 18th, at 7pm, Missouri’s New Music Circle will screen Warren Sonbert’s third film, HALL OF MIRRORS (1966), in a program of experimental films that were made in the first decade of the organization’s existence (1959—1969). GME is the custodian of Sonbert’s legacy, and since his passing has worked on an extensive project to preserve, distribute, and curate career retrospectives of his films on an international basis, as well as publish original documents from the paper archive of his writings. HALL OF MIRRORS is an outgrowth of one of Sonbert’s film classes at NYU taught by Carl Lerner, the editor of such Hollywood features as 12 ANGRY MEN (1957) and REQUIEM FOR A HEAVYWEIGHT (1962). Sonbert was provided with outtakes from a Hollywood film photographed by Hal Mohr to re-edit into a narrative sequence.

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Now Playing in the Adrienne Mancia Streaming Room: Women Filmmakers

Now Playing in the Adrienne Mancia Streaming Room: Women Filmmakers

Adrienne Mancia was a fearless advocate and personal friend of innumerable women directors who pioneered new and challenging forms of filmmaking throughout the 20th century. This selection of short films, curated by the GME team, highlights the work of groundbreaking women filmmakers Maya Deren, Faith Hubley, Agnès Varda, and Shirley Clarke that Adrienne programmed and championed throughout her career. To view this program in the Adrienne Mancia Streaming Room, click here.

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The Brooklyn Rail and the Film-Makers' Cooperative Screen Five Maya Deren Films for Labor Day

The Brooklyn Rail and the Film-Makers' Cooperative Screen Five Maya Deren Films for Labor Day

Today, Labor Day, The Brooklyn Rail and the Film-Makers’ Cooperative have made five essential films by the Mother of American Avant-Garde Cinema, the only and only Maya Deren, available to view online, for free, for 24 hours! GME is proud to distribute these five Deren titles — 1943’s MESHES OF THE AFTERNOON, 1944’s AT LAND, 1945’s A STUDY IN CHOREOGRAPHY FOR THE CAMERA, 1946’s RITUAL IN TRANSFIGURED TIME, and 1948’s MEDITATION ON VIOLENCE — to universities in the United States and Canada as both DVDs and DVD/DSL bundles.

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Beyond the Canon: 3 by Maya Deren + Mulholland Drive at BAM Sun, Jul 28, 2pm

Beyond the Canon: 3 by Maya Deren + Mulholland Drive at BAM Sun, Jul 28, 2pm

Maya Deren, the godmother of the American avant-garde, created trance-state explorations of consciousness, movement, the body, and nature rooted in the dream logic of surrealism and awash in unforgettably uncanny images. From the time-and space-collapsing psychodrama of her forever influential debut MESHES OF THE AFTERNOON to the mesmerizing dance film RITUAL IN TRANSFIGURED TIME, these profoundly personal landmarks of experimental film showed that cinema could be a direct conduit to the unconscious mind. Plus David Lynch’s neo-noir freak-out MULHOLLAND DRIVE.

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