May 2024 Roundup Related to GME Titles, Artists, and Colleagues

May 2024 Roundup Related to GME Titles, Artists, and Colleagues

It’s finally June, and with the start of summer officially just around the corner, here is a recap of screenings, events, and celebrations from May, in New York City and beyond, related to GME’s multifaceted projects. Notable exhibition programs include a suite of films by Man Ray at Boston’s Brattle Theatre and a collaboration between the Film-Makers’ Cooperative and Film at Lincoln Center; both programs featured filmmakers and films GME distributes to universities in North America. Also in May, MoMA and Anthology Film Archives mounted retrospectives of the work of Warren Sonbert’s colleagues Nathaniel Dorsky and Jerome Hiler, both of whom GME featured in a compilation reel of clips from Sonbert’s films. Additionally, GME licensed three photographs from the Raimondo Borea collection for two books and a documentary film.

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Man Ray Films GME Distributes Play at Brattle Theatre

Man Ray Films GME Distributes Play at Brattle Theatre

From Friday, May 31st, to Monday, June 3rd, four films by Man RayRETURN TO REASON, EMAK-BAKIA, L’ETOILE DE MER, and LES MYSTERES DU CHATEAU DU DE — will play at Boston’s Brattle Theatre, on the occasion of the 100th anniversary of RETURN TO REASON, in the program MAN RAY: RETURN TO REASON. GME distributes Ray’s RETURN TO REASON and EMAK-BAKIA to the North American university market in the eight-film DVD collection CINÉMA DADA. This collection also includes films by early experimental cinema pioneers like Hans Richter and Fernand Léger.

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September 2023 Roundup of Screenings Related to GME's DSL, DVD, & Blu-ray Offerings

September 2023 Roundup of Screenings Related to GME's DSL, DVD, & Blu-ray Offerings

Happy Autumn from Gartenberg Media Enterprises! As we enter October, we’re looking back at a myriad of screenings from last month, in New York City and beyond, featuring films and/or filmmakers in our collection that we distribute to the North American university market. GME-associated artists were well-represented in September — from pioneering filmmakers like Ida Lupino, Jean-Luc Godard, Jose Val Del Omar, Maya Deren, and Man Ray, to contemporary artists like Karel Doing, Rose Lowder, and Lav Diaz. The work of Warren Sonbert, which is exclusively represented by GME, was also screened in various venues in September.

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Man Ray and Abel Gance Films To Screen at NYFF 61

Man Ray and Abel Gance Films To Screen at NYFF 61

At this year’s New York Film Festival, presented by Film at Lincoln Center and playing in New York City from September 9th to October 15th, 2023, films by Man Ray and Abel Gance will screen in the Revivals section, which spotlights “important works from renowned filmmakers that have been digitally remastered, restored, and preserved with the assistance of generous partners.” GME distributes on DVD, with Re:Voir Video, to the North American university market, Ray’s RETURN TO REASON and EMAK-BAKIA in the eight-film collection CINÉMA DADA. GME is also proud to distribute Gance’s LA ROUE on DVD, to the North American university market, in conjunction with Flicker Alley. GME additionally distributes Gance’s J’ACCUSE (1919) on DVD with the same label.

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Films by Hans Richter and Man Ray Screening in MoMA Carte Blanche: Adam Pendleton Series

Films by Hans Richter and Man Ray Screening in MoMA Carte Blanche: Adam Pendleton Series

In the film series Carte Blanche, in conjunction with his exhibition Who Is Queen? at the Museum of Modern Art , Adam Pendleton brings together a diverse selection of moving-image works, probing the relationships between subjectivity, Blackness, abstraction, and the avant-garde, including films by Hans Richter and Man Ray distributed by GME.

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Man Ray Shorts at The Quad series, “From the Vaults: Cohen Film Collection”

Man Ray Shorts at The Quad series, “From the Vaults: Cohen Film Collection”

Experimenting with cinematic formality, Dada technique, and Surrealist imagery, the short films of avant-garde artist Man Ray would come to form the foundations of Cinéma pur. His looseness and artistic freedom challenge the audience to watch kinetic fragments and images with a more responsible, arguably more perceptive, eye.

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