GME News
As November — or should we say Noirvember — comes to a close, we reflect on our collection of noir titles on DVD, DSL, and/or Blu-Ray. From bona fide classics to long unheralded diamonds-in-the-rough, these pulpy, moody gems are currently available for North American institutional acquisition from GME.
Read MoreHappy November from Gartenberg Media Enterprises! As we head into the holiday season, we’re looking back at events, screenings, and celebrations from last month, in New York City and beyond, related to colleagues of GME as well as films and/or filmmakers in our collection. October’s events offered a unique selection of GME artists and friends, from Dominic Angerame and James Benning, to Jeff Preiss and Jerome Hiler, both of whom were collaborators of Warren Sonbert, whose body of work GME exclusively represents.
Read MoreLast month, Kino Lorber released Nancy Buirski’s 2023 documentary DESPERATE SOULS, DARK CITY, AND THE LEGEND OF ‘MIDNIGHT COWBOY’ on DVD in North America. GME provided scenes from Jonas Mekas’ film REPORT FROM MILLBROOK (1965-1966) and SCENES FROM THE LIFE OF ANDY WARHOL (1990, from THE SIXTIES QUARTET, 1990-1999) for this film. GME also distributes ten titles on Blu-Ray, DVD and DSL from Kino Lorber to the North American university market.
Read MoreAmanda Kim’s premiere NYC theatrical run of her engrossing documentary about video artist Nam June Paik’s “joyfully disruptive presence,” and back by popular demand, Bernardo Bertolucci’s devastating “operatic triumph of feeling and style,” are currently at Film Forum.
Read MoreIn Mussolini’s Italy, repressed Jean-Louis Trintignant, trying to purge memories of a youthful, homosexual episode – and murder – joins the Fascists in a desperate attempt to fit in. As the reluctant Judas motors to his personal Gethsemane (the assassination of his leftist mentor), he flashes back to a dance party for the blind; an insane asylum in a stadium; and wife Stefania Sandrelli and lover Dominique Sanda dancing the tango in a working class hall. But those are only a few of this political thriller’s anthology pieces, others including Trintignant’s honeymoon coupling with Sandrelli in a train compartment as the sun sets outside their window; a bimbo lolling on the desk of a fascist functionary, glimpsed in the recesses of his cavernous office; a murder victim’s hands leaving bloody streaks on a limousine parked in a wintry forest.
Read MoreLooking ahead to the fall semester, GME would like to remind you of some of our popular titles that can be utilized for thematic teaching purposes, while also preparing you for a selection of new titles from Kino Lorber, Re:voir, Index Edition, Edition Filmmuseum, and others, soon to be released as downloadable DSL files and Disk/DSL bundles through GME Streamline.
Read More“Masterpiece of masterpieces!” (Jonathan Rosenbaum), LAST YEAR AT MARIENBAD (France, 1961), directed by Alain Resnais, with a screenplay by Alain Robbe-Grillet, “is a sustained mood, an empty allegory, a choreographed moment outside time, and a shocking intimation of perfection.” (J. Hoberman). A hypnotically beautiful puzzle box of a film, LAST YEAR AT MARIENBAD is one of the most influential in the history of cinema.
Read MoreJean-Louis Trintignant, a leading French actor of subtle power who appeared in some of the most celebrated European films of the last 50 years, among them Bernardo Bertolucci’s THE CONFORMIST, Eric Rohmer’s MY NIGHT AT MAUD’S and Claude Lelouch’s A MAN AND A WOMAN, passed away recently at his home in southern France. He was 91.
Read MoreThis semester, Gartenberg Media has presented a number of new selections on the GME Streamline section of our website for the distribution of films and videos, now available as Digital Site Licenses (DSL), exclusively to the academic community for the streaming of moving image works via the university’s own intranet or closed circuit network, in order to further enrich curricula as well as for library and research use.
Read MoreThis complements GME’s distribution of other key genre films, directed by such filmmakers as Ida Lupino, Richard Fleischer, and Curtis Harrington. Sirk was one of the major directors of melodrama during the 1950s, including MAGNIFICENT OBSESSION, ALL THAT HEAVEN ALLOWS, WRITTEN ON THE WIND, IMITATION OF LIFE. Based on a novel by William Faulkner (Pylon), THE TARNISHED ANGELS evokes depression-era New Orleans, enhanced by glorious black-and-white CinemaScope photography, Sirk's riveting chronicle of personal obsession, romantic longing and irreconcilable desires is one of the most noteworthy films to emerge from 1950s Hollywood.
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