November 2024 Roundup Related to GME Titles, Artists, and Colleagues

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November 2024 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap events and celebrations from November — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME remembered Judith Jameson, and celebrated the Paul Taylor Dance Company’s season at Lincoln Center, with photographs by Jack Mitchell. GME also licensed footage from Martina Kudláček’s NOTES ON MARIE MENKEN (2006) for the launch of Artifacts, an online platform “connecting viewers with the cultural architects of the avant-garde, LGBTQ+, and underground arts.

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October 2024 Roundup Related to GME Titles, Artists, and Colleagues

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October 2024 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap events and celebrations from October — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME dove deep into our film and photography collections in honor of LGBTQ+ History Month, highlighting a number of films by LGBTQ+ filmmakers that we distribute on DSL, Blu-Ray, and DVD, as well as photographs of pioneering dancers Louis Falco, Bill T. Jones, and Arnie Zane taken by Jack Mitchell.

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Revisiting Ken Jacobs' CYCLOPEAN 3D for Home Movie Day

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Revisiting Ken Jacobs' CYCLOPEAN 3D for Home Movie Day

For last year’s Home Movie Day, GME highlighted Hollywood icon Rock Hudson, who appears in Mark Rappaport’s found footage video essay ROCK HUDSON’S HOME MOVIES. This year, we turn our attention to an avant-garde icon, Ken Jacobs, whose experimental “home movie” CYCLOPEAN 3D: LIFE WITH A BEAUTIFUL WOMAN was produced by GME through the Experimental Filmmakers Production Fund. GME President Jon Gartenberg presented CYCLOPEAN 3D the International Film Festival of Rotterdam in 2012, where he dubbed the film Jacobs’ “most directly autobiographical work to date.”

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September 2023 Roundup of Screenings Related to GME's DSL, DVD, & Blu-ray Offerings

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September 2023 Roundup of Screenings Related to GME's DSL, DVD, & Blu-ray Offerings

Happy Autumn from Gartenberg Media Enterprises! As we enter October, we’re looking back at a myriad of screenings from last month, in New York City and beyond, featuring films and/or filmmakers in our collection that we distribute to the North American university market. GME-associated artists were well-represented in September — from pioneering filmmakers like Ida Lupino, Jean-Luc Godard, Jose Val Del Omar, Maya Deren, and Man Ray, to contemporary artists like Karel Doing, Rose Lowder, and Lav Diaz. The work of Warren Sonbert, which is exclusively represented by GME, was also screened in various venues in September.

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GME Associate Fred Riedel's Documentary On Ken and Flo Jacobs Screens in Venice

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GME Associate Fred Riedel's Documentary On Ken and Flo Jacobs Screens in Venice

Beginning tomorrow, September 6th, 2023, through the following day (September 7th), the feature-length documentary KEN JACOBS: FROM ORCHARD STREET TO THE MUSEUM OF MODERN ART screens at the Venice International Film Festival in the Venice Classics section. GME associate Fred Riedel, a former student and longtime friend of Ken Jacobs, produced, directed, shot, and edited the film. GME is a longtime friend and collaborator of Jacobs and produced his 2012 film CYCLOPEAN #3D: LIFE WITH A BEAUTIFUL WOMAN through the Experimental Filmmakers Production Fund.

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May Roundup of Screenings Related to GME's DSL, DVD, & Blu-ray Offerings

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May Roundup of Screenings Related to GME's DSL, DVD, & Blu-ray Offerings

This past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.

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April Roundup of Screenings Related to GME's DSL, DVD, & Blu-ray Offerings

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April Roundup of Screenings Related to GME's DSL, DVD, & Blu-ray Offerings

This past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.

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Films and Filmmakers Distributed by GME Showing in The City: Real and Imagined Series at Film Forum

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Films and Filmmakers Distributed by GME Showing in The City: Real and Imagined Series at Film Forum

Films by Peter Emmanuel Goldman, Alfred Hitchcock, Ken Jacobs, and GME consultant Fred Riedel are screening in this extensive series presented in association with the Museum of the City of New York’s centennial exhibition This Is New York: 100 Years of the City in Art and Pop Culture.

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Up The Illusion, Celebrating the 90th Birthday of Ken Jacobs, Goes Up at 80 Washington Square East

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Up The Illusion, Celebrating the 90th Birthday of Ken Jacobs, Goes Up at 80 Washington Square East

Curated by artist and writer Andrew Lampert, this street level exhibition features a panoramic selection of Jacobs’ nearly 70 years of pioneering films and digital videos in the Broadway Windows gallery located on the corner of Broadway and E. 10th Street.

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Films and Filmmakers Distributed by GME Showing in New York, 1962–1964: Underground and Experimental Cinema Series and Exhibition by Film at Lincoln Center, Film Forum and the Jewish Museum

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Films and Filmmakers Distributed by GME Showing in New York, 1962–1964: Underground and Experimental Cinema Series and Exhibition by Film at Lincoln Center, Film Forum and the Jewish Museum

1962 to 1964 was a pivotal moment in the evolution of American arts and culture, especially in New York City. These years, crucial to the development of Pop, Minimalism, and performance, saw the emergence of a new generation of radical artists, as well as venues that gave their iconoclastic work a home and a context. Movies, meanwhile, were undergoing a transformation of their own: the rise of a truly independent cinema, of works unencumbered by the medium’s aesthetic conventions and commercial imperatives.

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