Paul Taylor Dance by Jack Mitchell

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Paul Taylor Dance by Jack Mitchell

This month, the Paul Taylor Dance Company is presenting a series of dances at Lincoln Center under the artistic direction of Michael Novak. This series includes two world premieres by resident choreographer Lauren Lovette, a world premiere by Robert Battle, and ten dances by founder Paul Taylor. To mark the occasion, GME reflects on a series of photographs of Taylor's dance company taken by Jack Mitchell, spanning the 1960s to the mid-1990s.

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October 2024 Roundup Related to GME Titles, Artists, and Colleagues

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October 2024 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap events and celebrations from October — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME dove deep into our film and photography collections in honor of LGBTQ+ History Month, highlighting a number of films by LGBTQ+ filmmakers that we distribute on DSL, Blu-Ray, and DVD, as well as photographs of pioneering dancers Louis Falco, Bill T. Jones, and Arnie Zane taken by Jack Mitchell.

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GME Features Jack Mitchell's Photograph of Bill T. Jones and Arnie Zane On the Occasion of Jones' STILL/HERE Returning to Brooklyn Academy of Music

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GME Features Jack Mitchell's Photograph of Bill T. Jones and Arnie Zane On the Occasion of Jones' STILL/HERE Returning to Brooklyn Academy of Music

Tonight, October 30th, at 7:30pm, Bill T. Jones' groundbreaking and once-controversial multimedia dance show STILL/HERE returns to the Brooklyn Academy of Music, where it first premiered 30 years ago. In 1983, Bill T. Jones and his partner Arnie Zane founded the Bill T. Jones/Arnie Zane Dance Company, which is currently in its 42nd season. A year later, Jack Mitchell photographed the duo for the cover of Dance Magazine, posed in front of original artwork by Keith Haring. Zane and Haring passed away from AIDS-related complications in 1988 and 1990, respectively. As Jones' STILL/HERE makes its triumphant return to the BAM stage, GME features Mitchell's photograph commemorating the legacy of Haring's visual art and Jones and Zane's partnership.

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Revisiting Ken Jacobs' CYCLOPEAN 3D for Home Movie Day

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Revisiting Ken Jacobs' CYCLOPEAN 3D for Home Movie Day

For last year’s Home Movie Day, GME highlighted Hollywood icon Rock Hudson, who appears in Mark Rappaport’s found footage video essay ROCK HUDSON’S HOME MOVIES. This year, we turn our attention to an avant-garde icon, Ken Jacobs, whose experimental “home movie” CYCLOPEAN 3D: LIFE WITH A BEAUTIFUL WOMAN was produced by GME through the Experimental Filmmakers Production Fund. GME President Jon Gartenberg presented CYCLOPEAN 3D the International Film Festival of Rotterdam in 2012, where he dubbed the film Jacobs’ “most directly autobiographical work to date.”

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September 2024 Roundup Related to GME Titles, Artists, and Colleagues

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September 2024 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap the numerous screenings, events, and celebrations from October — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME President Jon Gartenberg collaborated with Elena Rossi-Snook to curate a program of films dealing with sex and censorship that screened at the New York Public Library. Additionally, a number of titles that GME distributes to North American universities appeared in screenings mounted by several noteworthy institutions last month, including the Harvard Film Archive, Metrograph, Light Industry, and the Film-Makers’ Cooperative.

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ZANZIBAR Film Collective

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ZANZIBAR Film Collective

During the volatile late 1960s in Paris, the filmmaking collective known as Zanzibar began creating outsider movies, many of which are now lost or neglected. Though all members were cinephiles, they had only modest filmmaking experience. Still, the Zanzibar films are infused with the countercultural energy and restlessness of the times, thanks to the group’s refreshing lack of experience and regard for cinematic convention. GME distributes a number of films that emerged from the Zanzibar collective on DSL and DVD to the North American institutional market. These films have continued relevance among cinephiles today; notably, Metrograph mounted the series One More Time: The Cinema of Daniel Pommereulle last month, which featured a number of Zanzibar titles that we also distribute.

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Naughty Films at the Library: Avant-Garde Works in the NYPL's Reserve Film and Video Collection

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Naughty Films at the Library: Avant-Garde Works in the NYPL's Reserve Film and Video Collection

Thursday, September 19th, at 5:30pm at the Bruno Walter Auditorium in the New York Public Library for the Performing Arts at Lincoln Center. Curator Jon Gartenberg, in collaboration with NYPL Film Collection Specialist Elena Rossi-Snook, will present a program of avant-garde films from the Library's Reserve Film and Video Collection that deals with sex and censorship. After the screening, Gartenberg and Rossi-Snook will discuss the history and interpretation of these rarely-screened works. This event is free to attend and can be RSVPed here.

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August 2024 Roundup Related to GME Titles, Artists, and Colleagues

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August 2024 Roundup Related to GME Titles, Artists, and Colleagues

As the summer season winds down, we reflect on screenings, events, and celebrations from August related to GME titles, artists, and colleagues. Notably, GME President Jon Gartenberg curated a program of politically-trenchant New York city symphony films that screened at Allied Productions Artist Space, while GME associate Matt McKinzie included two films by Warren Sonbert in a program of 1960s queer avant-garde shorts featuring Motown music at Spectacle Theater.

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Two Warren Sonbert Films Screen in "The Motown Sound and the Queer Underground," curated by GME associate Matt McKinzie

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Two Warren Sonbert Films Screen in "The Motown Sound and the Queer Underground," curated by GME associate Matt McKinzie

On Friday, August 30th, at 7:30pm, Warren Sonbert’s first two films AMPHETAMINE (1966) and WHERE DID OUR LOVE GO? (1966) will screen at Spectacle Theater (124 S. 3rd St.) in the program The Motown Sound and the Queer Underground, curated by GME associate Matt McKinzie as part of the series Sonic Visions: Experiments in Cinema and Music, presented by the Film-Makers’ Cooperative. Sonbert’s Estate has previously named GME as the custodian of his legacy, and since the artist’s untimely passing, GME has worked on an extensive project to preserve, distribute, and curate career retrospectives of his films on an international basis, as well as publish original documents from the paper archive of his writings.

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Watch Jon Gartenberg Introduce His Program of Politically-Trenchant New York City Symphony Films at Allied Productions Project Space

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Watch Jon Gartenberg Introduce His Program of Politically-Trenchant New York City Symphony Films at Allied Productions Project Space

On August 9th, 2024, at 7pm, GME President Jon Gartenberg presented a program of politically-trenchant New York city symphony films, spanning 1984 to 2006, at Allied Productions Project Space (368 East 8th Street). The program featured Steve Bilich’s NATIVE NEW YORKER (2005) and Jem Cohen’s NYC WEIGHTS AND MEASURES (2006) digitally, and Jack Waters’ BERLIN/NY (1984), Abigail Child’s B/SIDE (1996), and Jim Hubbard’s ELEGY IN THE STREETS (1989) on 16mm. To view Gartenberg’s introduction to the program — and to hear artist and co-founder of Allied Productions, Jack Waters, introduce Gartenberg — watch the video here.

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