July 2024 Roundup Related to GME Titles, Artists, and Colleagues

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July 2024 Roundup Related to GME Titles, Artists, and Colleagues

It may be the dog days of summer, but that hasn’t stopped GME from keeping busy. Today, we reflect on screenings, events, and celebrations from July related to our multifaceted projects. Notably, an archival gem relevant to MoMA’s month-long Powell and Pressburger retrospective was unearthed from GME President Jon Gartenberg’s papers, and a true crime film by James Benning (whose films we exclusively distribute to North American universities) screened at Anthology Film Archives.

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James Benning's LANDSCAPE SUICIDE Screens at Anthology Film Archives Later This Month

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James Benning's LANDSCAPE SUICIDE Screens at Anthology Film Archives Later This Month

On July 24th, at 9pm, and August 2nd, at 6:30pm, James Benning’s LANDSCAPE SUICIDE (1986) — which GME distributes to North American universities as both a DVD and DVD/DSL bundle — screens at Anthology Film Archives in the series Verbatim. A preeminent formalist filmmaker whose lengthy and distinguished career dates back to the early 1970s, GME is proud to be the sole distributor of Benning’s films to the North American institutional market. In addition to LANDSCAPE SUICIDE, GME distributes the following Benning titles as both DVDs and DVD/DSL bundles: 11 X 14, ONE WAY BOOGIE WOOGIE, 27 YEARS LATER (1977—2012), GRAND OPERA (1979), AMERICAN DREAMS (LOST & FOUND) (1984), O PANAMA (1985), DESERET (1995), FOUR CORNERS (1997), his CALIFORNIA TRILOGY (1999—2001), CASTING A GLANCE (2007), RR (2007), NATURAL HISTORY (2009), and RUHR (2014).

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October 2023 Roundup Related to GME Titles, Artists, and Colleagues

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October 2023 Roundup Related to GME Titles, Artists, and Colleagues

Happy November from Gartenberg Media Enterprises! As we head into the holiday season, we’re looking back at events, screenings, and celebrations from last month, in New York City and beyond, related to colleagues of GME as well as films and/or filmmakers in our collection. October’s events offered a unique selection of GME artists and friends, from Dominic Angerame and James Benning, to Jeff Preiss and Jerome Hiler, both of whom were collaborators of Warren Sonbert, whose body of work GME exclusively represents.

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New James Benning Documentary Playing at NYFF

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New James Benning Documentary Playing at NYFF

On Sunday, October 8th, and Monday, October 9th, 2023, James Benning’s new film ALLENSWORTH will screen at the New York Film Festival in the Currents section. Benning remains one of our most significant, formalist avant-garde filmmakers, and GME is proud to be the sole distributor of his films to the North American university market. Currently available from GME as both DVDs and DVD/DSL bundles are Benning’s films 11 X 14, ONE WAY BOOGIE WOOGIE, 27 YEARS LATER (1977-2012), GRAND OPERA (1979), AMERICAN DREAMS (LOST & FOUND) (1984), O PANAMA (1985), LANDSCAPE SUICIDE (1986), DESERET (1995), FOUR CORNERS (1997), his CALIFORNIA TRILOGY (1999-2001), CASTING A GLANCE (2007), RR (2007), NATURAL HISTORY (2009), and RUHR (2014).

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Yvonne Rainer Films, Newly Restored in 4K, in Retrospective at Metrograph

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Yvonne Rainer Films, Newly Restored in 4K, in Retrospective at Metrograph

With her boundary-pushing, de-glamorized, stripped-down approach to modern dance, Rainer was already established as one of the most innovative forces in choreography before she’d started to make her first standalone films in 1972, bringing the same spirit of invention to this new medium.

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GOATS and Other Great Films at GME

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GOATS and Other Great Films at GME

In the spirit of the year-end lists of recent and retrospective, enduring film triumphs, GME is happy to share in some of the list-making and cinematic memories.  Excitement and conversations (and arguments) stirred up by 2022’s prominent list highlights from BFI's Sight Sound has prompted us to round up a somewhat broader, consensus driven collection of films from across a diverse categorization of filmic art, the zone in which GME lives.

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Introducing GME's Featured Filmmakers Collection

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Introducing GME's Featured Filmmakers Collection

Gartenberg Media is proud to present multiple DVD, Blu-ray and DSL editions of several featured filmmakers in our catalog, including extensive representation of the work of James Benning, Philippe Garrel, Marie Losier, Jonas Mekas, Warren Sonbert, Henri Storck, Dziga Vertov and others.

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THEMATIC COURSE SUGGESTIONS FROM GME AND MORE AS WE HEAD INTO FALL

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THEMATIC COURSE SUGGESTIONS FROM GME AND MORE AS WE HEAD INTO FALL

Looking ahead to the fall semester, GME would like to remind you of some of our popular titles that can be utilized for thematic teaching purposes, while also preparing you for a selection of new titles from Kino Lorber, Re:voir, Index Edition, Edition Filmmuseum, and others, soon to be released as downloadable DSL files and Disk/DSL bundles through GME Streamline.

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RECAP OF THE SPRING GME STREAMLINE DSL & GME DVD/BLU-RAY RELEASES

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RECAP OF THE SPRING GME STREAMLINE DSL & GME DVD/BLU-RAY RELEASES

This semester, Gartenberg Media has presented a number of new selections on the GME Streamline section of our website for the distribution of films and videos, now available as Digital Site Licenses (DSL), exclusively to the academic community for the streaming of moving image works via the university’s own intranet or closed circuit network, in order to further enrich curricula as well as for library and research use.

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GME Adds James Benning's GRAND OPERA | O PANAMA as a DVD/DSL Release

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GME Adds James Benning's GRAND OPERA | O PANAMA as a DVD/DSL Release

GME is proud to announce our unprecedented release of the 7th digital edition of the films of James Benning, comprising O PANAMA (1985) and GRAND OPERA. AN HISTORICAL ROMANCE (1979).  Altogether, GME now offers a total of 16 feature length films (and one short form work) by this renowned independent American auteur.  We make all of these films available (either as DVDs or DVD/DSL bundles) exclusively to North American academic institutions so as to afford professors, librarians, students and researchers an in-depth study of the arc of this noteworthy artist’s career, from 11x14 (1977) to NATURAL HISTORY (2014).  About his filmmaking oeuvre, Benning has observed, that “since I started making films, I’ve always tried to open a new narrative space from the juxtaposition of sound and image, or text and image — how the spectator experiences them, how they quote each other.”  Benning’s films are carefully planned in terms of the placement of the camera, the duration of the individual extended takes, and the juxtaposition of shots, creating mesmerizing contemplations of both the natural and manmade world.

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