GME News
Amanda Kim’s premiere NYC theatrical run of her engrossing documentary about video artist Nam June Paik’s “joyfully disruptive presence,” and back by popular demand, Bernardo Bertolucci’s devastating “operatic triumph of feeling and style,” are currently at Film Forum.
Read MoreIn Mussolini’s Italy, repressed Jean-Louis Trintignant, trying to purge memories of a youthful, homosexual episode – and murder – joins the Fascists in a desperate attempt to fit in. As the reluctant Judas motors to his personal Gethsemane (the assassination of his leftist mentor), he flashes back to a dance party for the blind; an insane asylum in a stadium; and wife Stefania Sandrelli and lover Dominique Sanda dancing the tango in a working class hall. But those are only a few of this political thriller’s anthology pieces, others including Trintignant’s honeymoon coupling with Sandrelli in a train compartment as the sun sets outside their window; a bimbo lolling on the desk of a fascist functionary, glimpsed in the recesses of his cavernous office; a murder victim’s hands leaving bloody streaks on a limousine parked in a wintry forest.
Read MoreJean-Louis Trintignant, a leading French actor of subtle power who appeared in some of the most celebrated European films of the last 50 years, among them Bernardo Bertolucci’s THE CONFORMIST, Eric Rohmer’s MY NIGHT AT MAUD’S and Claude Lelouch’s A MAN AND A WOMAN, passed away recently at his home in southern France. He was 91.
Read MoreContinuing our release of GME Streamline titles from the Kino Lorber collection, we are excited to now offer Bernardo Bertolucci’s cinematic masterpiece, THE CONFORMIST (1970). This film is both a searing study of sexuality and politics set in 1930’s Italy and a triumph of opulent visual storytelling. Bertolucci combines a flawless aesthetic with a deep emphasis on composition, design, and camerawork to slowly build a devastating portrait of the kind of personality that allows fascism to flourish. The protagonist, Marcello (played by Jean-Louis Trintignant), spends much of the film being followed by fascist henchmen who are shadowing him to ensure he carries out his orders.
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