GME News
Félix Dufour-Laperrière’s ARCHIPELAGO offers a contemplative and poetic travelogue along the St. Lawrence River. It expands into a semi-fictional odyssey through the filmmaker’s native province: Quebec, captured in surprising, creative animation using a wide range of techniques. It is an imaginary documentary — linguistic, political, real and dreamt.
Read MoreWHEN WE WERE BULLIES begins with a mind boggling "coincidence" from 25 years ago which ultimately leads the filmmaker to track down his 5th grade class (and 5th grade teacher) to see what they remember of a bullying incident from 50 years ago. In a playful yet poignant way, he begins to understand his complicity and the bully in all of us.
Read MoreGME is pleased to present the complete INDEX Edition Collection from Austria, now available to our North American university colleagues as DVD/DSL bundles. The label INDEX Edition was founded in 2004 by sixpackfilm and Medienwerkstatt Wien. Its aim is to make available previously hard to find moving image works in digital editions. Similar to a small publishing house for quality literature, INDEX Edition releases and distributes audiovisual publications relevant to the history of Austrian (as well as Eastern European) film, video, and media art.
Read MoreGME Streamline is pleased to announce the availability of a new selection of experimental and independent films from the Re:voir Collection, now available as high quality digital files for streaming on university intranet servers, as well as on DVD and Blu-ray. Our most recent releases from the Re:voir Collection include the first four fiction feature films by Robert Kramer, as well as stylistically diverse films centered around three locales—New York, Brussels and Lithuania: Jackie Raynal’s HOTEL NEW YORK and NEW YORK STORY; the travel diaries 3 JOURNEYS TO LITHUANIA, by Jonas and Adolfas Mekas, and Pola Chapelle (Adolfas’s wife); and a City Symphony by Belgian filmmaker Boris Lehman, MAGNUM BEGYNASIUM BRUXELLENSE (1978). In addition to offering these new releases as Digital Site Licenses, they are available as well in high quality DVD and Blu-ray editions with accompanying booklets in English and French about the filmmakers and their films.
Read MoreGME would like to remind you of the recently made availability of a premiere selection of experimental and independent films from the Re:voir Collection, now available as digital files for streaming on university intranet servers. For more than 20 years, Gartenberg Media Enterprises has partnered with Re:voir in making available a diverse and fragile body of experimental and independent films, both classic and contemporary, that merits exposure to a wider audience.
Read MoreThrough GME Streamline this past season we have presented limited, free streams of select titles, including Steve Bilich's NATIVE NEW YORKER, Peter Tscherkassky's OUTER SPACE, and Leopold Lindtberg's SWISS TOUR. We are currently streaming TATITUDE (2009, 4 Minutes), by Vivian Ostrovsky from her collection PLUNGE. These films are representative samples of the recently added Re:voir and Index Edition collections and single title releases now available through GME Streamline and GME DVD and Blu-ray distribution. Collectively, they constitute a wealth of cinematic history that we now make available as DVD/DSL bundle releases and direct HD digital file downloads.
Read MoreA retrospective screening of the films of Nathaniel Dorsky and Jerome Hiler (curated by Francisco Algarin and Carlos Saldaña) is taking place at the Filmoteca de Catalunya (Barcelona, Spain) on January 14 and 15, 2022. To announce the exhibition on the Filmoteca’s website, a film frame of the two filmmakers at a rewind table is featured from Warren Sonbert’s THE TENTH LEGION (1967), which will be released by GME for the first time in a 1080 HD digital format this winter.
Read MoreIn Correspondencias : Cartas como películas, many of these letters do not only reveal secret friendships (Louis Lumière and George Méliès), but also unknown collaborations (Orson Welles and Robert J. Flaherty) or projects, which without these letters would have remained undocumented (Maya Deren’s idea of making a film about the circus, Pasolini’s proposal to Jacques Tati to participate in Porcile); other letters mark the end of a collaboration (Marguerite Duras, proposing a script to Alain Resnais, who after being rejected, would go on to film it herself). Other correspondences asking for help at times of creative confusion (Paul Sharits to Stan Brakhage, Stan Brakhage to Hollis Frampton, Gregory Markopoulos to Stan Brakhage); they document major historical moments (the War in the case of F. W. Murnau or Robert J. Flaherty, the political situation in Indonesia, Italy or France in the case of Joris Ivens, Pasolini or Truffaut), they appear like the chronicles of a journey (S. M. Eisenstein, Chick Strand and Ron Rice from Mexico, Warren Sonbert from Morocco, Resnais from Hiroshima, Ivens from Australia, Peter Hutton from Germany, Murnau from Latvia, Allen Ginsberg from India) or even greet other poets (like the letters-gift from Eric Rohmer, Anne-Marie Miéville or Chris Marker).
Read MoreThrough GME Streamline this past season we have presented limited, free streams of select titles, including Steve Bilich's NATIVE NEW YORKER, Peter Tscherkassky's OUTER SPACE, and Leopold Lindtberg's SWISS TOUR. We are currently streaming TATITUDE (2009, 4 Minutes), by Vivian Ostrovsky from her collection PLUNGE. These films are representative samples of the recently added Re:voir and Index Edition collections and single title releases now available through GME Streamline and GME DVD and Blu-ray distribution. Collectively, they constitute a wealth of cinematic history that we now make available as DVD/DSL bundle releases and direct HD digital file downloads.
Read MoreIn his article “Body Awareness”, in the New York Review of Books, on Austrian artist Maria Lassning, James Quant explores the artist’s extreme, unsparing paintings together with her autobiographical, feminist, dance and experimental films. GME recently added MARIA LASSNIG FILMS IN PROGRESS (US, 1970-1979), together with the bound publication MARIA LASSNIG. FILM WORK (AUSTRIA, 2020) to our collection Lassnig film work, together with the earlier MARIA LASSNIG: ANIMATION FILMS (Austria, 1970-1992), for distribution on DVD/DSL bundle to the North American institutional market.
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