GME News
GME is pleased to announce the a special free stream for the month of July of this humorous glimpse at what happens every morning on the wavy sidewalks of Copacabana beach, as conceived by Vivian Ostrovsky, a citizen of the world who has made films in Brazil, France, Israel, Japan, the Soviet Union and the United States.
Read MoreJon, David and Fred recently visited Jonas Mekas: The Camera Was Always Running exhibition at the Jewish Museum to experience the multi-screen experience of this major filmmaking and cultural figure, who is also a central artist in GME’s collection.
Read MoreThis recent screening series (June 17-19) paid tribute to the work and legacy of Dore O., one of Germany’s most influential and pioneering experimental filmmakers, who tragically passed away in early March 2022. The series also marked the announcement of the publication “Figures of Absence. The Films of Dore O.” (ed. Masha Matzke), which will be released in English by archivebooks in late 2022.
Read MoreJean-Louis Trintignant, a leading French actor of subtle power who appeared in some of the most celebrated European films of the last 50 years, among them Bernardo Bertolucci’s THE CONFORMIST, Eric Rohmer’s MY NIGHT AT MAUD’S and Claude Lelouch’s A MAN AND A WOMAN, passed away recently at his home in southern France. He was 91.
Read MoreIn conjunction with the retrospective of artist - filmmaker Jonas Mekas at the Jewish Museum, films originally programmed at the Jewish Museum by Mekas in 1969 are being shown through the end of this month. Not shown in the current series, but screened back in 1969 was Warren Sonbert’s THE TUXEDO THEATRE.
Read MoreFramework: The Journal of Cinema and Media has co-sponsored the symposium, "Transatlantic Experimental Film Connections and Influences: New American Cinema and Europe in the 1960s and Afterwards," held May 26, 2022 in Turin Italy. The symposium brings together scholars, archivists and writers to discuss the occasion of the momentous introduction of the New American Cinema (NAC) at Spoleto in 1961 and the longevity of its impact.
Read MoreThis semester, Gartenberg Media has presented a number of new selections on the GME Streamline section of our website for the distribution of films and videos, now available as Digital Site Licenses (DSL), exclusively to the academic community for the streaming of moving image works via the university’s own intranet or closed circuit network, in order to further enrich curricula as well as for library and research use.
Read MoreGME Streamline is excited to announce the release of two volumes of short films by internationally recognized artist Jay Rosenblatt, now available as standalone DVD editions as well as collections of DSL downloads, all available for our North American university clientele. Rosenblatt has been working as an independent filmmaker since 1980. His films have been shown worldwide, in film festivals, museum retrospectives, and on television, and have garnered many awards. His most recent movie, WHEN WE WERE BULLIES (2021), was nominated for an Academy Award.
Read MoreFor the first time ever, GME Streamline is pleased to announce the release in digital format of 2 Warren Sonbert films from 1967, THE TENTH LEGION and THE BAD AND THE BEAUTIFUL. This complements our previous release of Sonbert’s first three films, all from 1966: AMPHETAMINE, WHERE DID OUR LOVE GO?, and HALL OF MIRRORS. All five titles are now available via Digital Site Licenses as downloadable digital files. These films encompass Sonbert’s extant sound films from the 1960’s – the era of sex, drugs, and rock and roll. All of these early films of Warren Sonbert are now available for acquisition as DSL files for the North American university community, as well as for international exhibition.
Read MoreThe French New Wave of the 1950s and ’60s radically transformed the language of cinema. While its leading figures are widely recognized—over the years, Jean-Luc Godard, François Truffaut, Eric Rohmer, Jacques Rivette, Claude Chabrol, Agnès Varda, Alain Resnais, Jacques Demy, and Chris Marker have all had retrospectives at MoMA and beyond—there were many other New Wave filmmakers whose work has remained largely unsung.
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