GME News
In conjunction with the retrospective of artist - filmmaker Jonas Mekas at the Jewish Museum, films originally programmed at the Jewish Museum by Mekas in 1969 are being shown through the end of this month. Not shown in the current series, but screened back in 1969 was Warren Sonbert’s THE TUXEDO THEATRE.
Read MoreFramework: The Journal of Cinema and Media has co-sponsored the symposium, "Transatlantic Experimental Film Connections and Influences: New American Cinema and Europe in the 1960s and Afterwards," held May 26, 2022 in Turin Italy. The symposium brings together scholars, archivists and writers to discuss the occasion of the momentous introduction of the New American Cinema (NAC) at Spoleto in 1961 and the longevity of its impact.
Read MoreThis semester, Gartenberg Media has presented a number of new selections on the GME Streamline section of our website for the distribution of films and videos, now available as Digital Site Licenses (DSL), exclusively to the academic community for the streaming of moving image works via the university’s own intranet or closed circuit network, in order to further enrich curricula as well as for library and research use.
Read MoreGME Streamline is excited to announce the release of two volumes of short films by internationally recognized artist Jay Rosenblatt, now available as standalone DVD editions as well as collections of DSL downloads, all available for our North American university clientele. Rosenblatt has been working as an independent filmmaker since 1980. His films have been shown worldwide, in film festivals, museum retrospectives, and on television, and have garnered many awards. His most recent movie, WHEN WE WERE BULLIES (2021), was nominated for an Academy Award.
Read MoreFor the first time ever, GME Streamline is pleased to announce the release in digital format of 2 Warren Sonbert films from 1967, THE TENTH LEGION and THE BAD AND THE BEAUTIFUL. This complements our previous release of Sonbert’s first three films, all from 1966: AMPHETAMINE, WHERE DID OUR LOVE GO?, and HALL OF MIRRORS. All five titles are now available via Digital Site Licenses as downloadable digital files. These films encompass Sonbert’s extant sound films from the 1960’s – the era of sex, drugs, and rock and roll. All of these early films of Warren Sonbert are now available for acquisition as DSL files for the North American university community, as well as for international exhibition.
Read MoreThe French New Wave of the 1950s and ’60s radically transformed the language of cinema. While its leading figures are widely recognized—over the years, Jean-Luc Godard, François Truffaut, Eric Rohmer, Jacques Rivette, Claude Chabrol, Agnès Varda, Alain Resnais, Jacques Demy, and Chris Marker have all had retrospectives at MoMA and beyond—there were many other New Wave filmmakers whose work has remained largely unsung.
Read MoreGME distributed found footage filmmaker Peter Tscherkassky returns to Film at Lincoln Center with a propulsive investigation of the twinned histories of cinema and trains, splicing and superimposing historical images of locomotion in a collage of jarring mechanical and rhythmic power. TRAIN AGAIN (Austria, 2021, 20 min, 35mm) is screening with Thai filmmaker Anocha Suwichakornpong’s feature COME HERE at 9pm on Tuesday, April 5th.
Read MoreGME Streamline is excited to announce the release of new works from the Re:voir Collection, including key films by important women filmmakers Marie Losier and Dore O. during Women's History Month. As with all of our Re:voir releases, these titles are available as high quality digital files for streaming on university intranet servers, as well as on DVD and Blu-ray disk.
Read MoreWinner of numerous awards upon its release in 2006, Steve Bilich's NATIVE NEW YORKER reflects on the enormity of the 9/11 attack on New York as Shaman Trail Scout 'Coyote' takes a journey which transcends time, from Inwood Park (where the island was traded for beads and booze), down a native trail (now 'Broadway'), into lower Manhattan (sacred burial ground, now including the newest natives of this island empire).
Read MoreKenneth Brown, a Brooklyn native, rattled by his brutalizing experience in the brig for insubordination while enlisted in the U.S. Marines, converted his harrowing experience into the hyper-realistic play THE BRIG, successfully produced Off-Off Broadway by the Living Theater, and later brought to the screen by Jonas Mekas.
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