GME Celebrates the Legacy of Photographer Jack Mitchell During Pride Month

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GME Celebrates the Legacy of Photographer Jack Mitchell During Pride Month

As Pride month comes to a close, GME celebrates the legacy of photographer Jack Mitchell. In 1957 Jack met Bob Pavlik. Within a few weeks they moved together into a large apartment at East 74th Street and York Avenue that afforded them adequate space for a photography studio and darkroom. Bob became Jack’s business and life partner. Over the course of a career spanning more than half a century, Jack Mitchell (1925 – 2013) photographed artists, dancers, film and theatre performers, musicians and writers in more than 6,000 individual sessions.

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GME Staff Visits Jewish Museum’s Jonas Mekas Exhibit

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GME Staff Visits Jewish Museum’s Jonas Mekas Exhibit

Jon, David and Fred recently visited Jonas Mekas: The Camera Was Always Running exhibition at the Jewish Museum to experience the multi-screen experience of this major filmmaking and cultural figure, who is also a central artist in GME’s collection.

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GME Notes the First Broadway Theater to Feature a Black Woman’s Name in Honor of Lena Horne

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GME Notes the First Broadway Theater to Feature a Black Woman’s Name in Honor of Lena Horne

Broadway theaters have always been named for giants of the stage—including, to name a few, Eugene O’Neill, George and Ira Gershwin, and Neil Simon. Historically, however, few Black artists have received this honor. Now, in a historic first, a Broadway theater will be named for a Black woman: singer and actress Lena Horne.

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The Flaherty Film Seminar Celebrates the 100th Anniversary of NANOOK OF THE NORTH

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The Flaherty Film Seminar Celebrates the 100th Anniversary of NANOOK OF THE NORTH

NANOOK OF THE NORTH premiered 100 years ago at the Capitol Theater in New York City, on June 11 1922. The film’s unprecedented commercial success inspired a century of documentary filmmaking. On the centennial anniversary of NANOOK OF THE NORTH, The Flaherty invites viewers and scholars of the film to consider the complex legacy of NANOOK OF THE NORTH in settler-colonial as well as indigenous cultures.

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ANTHOLOGY FILM ARCHIVES HONORS THE LEGACY OF DORE O.

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ANTHOLOGY FILM ARCHIVES HONORS THE LEGACY OF DORE O.

This recent screening series (June 17-19) paid tribute to the work and legacy of Dore O., one of Germany’s most influential and pioneering experimental filmmakers, who tragically passed away in early March 2022. The series also marked the announcement of the publication “Figures of Absence. The Films of Dore O.” (ed. Masha Matzke), which will be released in English by archivebooks in late 2022.

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A COMPLETE GERMAINE DULAC RETROSPECTIVE AT CINÉMATHÈQUE FRANÇAISE

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A COMPLETE GERMAINE DULAC RETROSPECTIVE AT CINÉMATHÈQUE FRANÇAISE

GERMAINE DULAC: CINEMATIC SENSATIONS AT THE HOUSE OF DREAMS presents nearly 30 films by Germaine Dulac, feminist, socialist and avant-garde pioneer of the 1920s. The two most famous, the impressionist LA SOURIANTE MADAME BEUDET (1923), with its heroine with modern tastes confined to a bourgeois marriage, and LA COQUILLE ET LE CLERGYMAN (1927), the first surrealist film in history, conceived as an essay on the rhythm, have durably transformed the cinematographic landscape.

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GME NOTES WITH SADNESS THE PASSING OF FILM LEGEND JEAN-LOUIS TRINTIGNANT

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GME NOTES WITH SADNESS THE PASSING OF FILM LEGEND JEAN-LOUIS TRINTIGNANT

Jean-Louis Trintignant, a leading French actor of subtle power who appeared in some of the most celebrated European films of the last 50 years, among them Bernardo Bertolucci’s THE CONFORMIST, Eric Rohmer’s MY NIGHT AT MAUD’S and Claude Lelouch’s A MAN AND A WOMAN, passed away recently at his home in southern France. He was 91.

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In Recognition of Juneteenth GME Presents Hugh Bell's Photographs of Jean Genet’s Play THE BLACKS at the St. Mark’s Playhouse in 1961

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In Recognition of Juneteenth GME Presents Hugh Bell's Photographs of Jean Genet’s Play THE BLACKS at the St. Mark’s Playhouse in 1961

Jean Genet ’s 1959 play, THE BLACKS, uses the framework of a play within a play, to expose racial prejudice and stereotypes while exploring black identity. It was the longest-running Off-Broadway non-musical of the 60s and was photographed by Hugh Bell.

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