GME News
Kenneth Anger (1927-2023) embodied the love-hate relationship between underground art and mass culture. Few other avant-garde filmmakers borrowed so liberally or so subversively from popular iconography. And with his sensuous, mystical imagery and pioneering use of pop soundtracks, perhaps none saw their work so readily absorbed back into the mainstream.
Read MoreThis past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.
Read MoreFilms by Peter Emmanuel Goldman, Alfred Hitchcock, Ken Jacobs, and GME consultant Fred Riedel are screening in this extensive series presented in association with the Museum of the City of New York’s centennial exhibition This Is New York: 100 Years of the City in Art and Pop Culture.
Read MoreThe screening at Luminor City Hall in Paris pays tribute to the work and legacy of one of the great pioneers of German experimental cinema, yet relatively unknown to this day. In the 1960s, within the post-war German artistic landscape, the painter Dore O. was one of the first women to make experimental films independently and consistently.
Read MoreNoted film critic Amy Taubin has accepted an invitation by The Museum of Modern Art to delve into their archives to conjure a thrilling, thrumming vision of New York City, the place she has called home her entire life.
Read MoreMajor works by masters of their respective genres, Maya Deren and F.W. Murnau, are being screened April 22nd (Deren) and 23rd (Murnau) at MoMI.
Read MoreIn typical Godardian fashion, ALPHAVILLE is a science fiction film, shot entirely on location, which uses no special frills to create a futuristic, truly alien ambience. Classical Parisian architecture mingles with Modernist high-rise buildings, and characters refer both to an imaginary future and to real current events. ALPHAVILLE is as slick, stylish, and improvisational as its New Wave siblings, but it is more concerned with big concepts like history, authoritarianism, and individual freedom than it is with interpersonal relationships.
Read More"It is in search of a treasure that my gaze wanders along the lines, spinning along the walls, sliding on the ridges, on the summits, crossing the woods suspended from the cliffs, sliding on the steep peaks of crumbling rocks. My eyes, sometimes with my camera, sometimes without, make a fortune out of nothing accumulated in my heart. Slowly, without thinking, without desiring, they forget and discover a wonderful adventure in life…
Read MoreThis past month saw the work of several filmmakers distributed by GME programmed in venues in the U.S. and abroad. It is a reminder of both the durability of these artists and their works and the ongoing interest in the kinds of notable independent and experimental moving image work that GME strives to provide to our buyers.
Read MoreAs part the series examining the films that influenced director Chantal Ackerman on her way to creating her masterpiece JEAN DIELMAN, Michael Snow’s LA RÉGION CENTRAL and WAVELENGTH, are being presented, along with Straub and Huillet’s MOSES AND AARON, Carl Th. Dreyer’s GERTRUD, and Jean Luc Godard’s TWO OR THREE THINGS I KNOW ABOUT HER, among other films that impacted the development of JEAN DIELMAN.
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