GME News
For many years Rose Lowder has been developing an exceptional technique of weaving together images gathered frame- by-frame to form scintillating patterns of light. By oscillating the focal plane of photographs shot in the same place over time, her layered tapestries produce a new relationship between filmed reality and filmic image.
Read MorePaul Clipson’s cinema is one of eternal recurrence. Subjects continually repeat themselves: bridges, buildings, fences, gratings, trains, airplanes, trees, suns, leaves, grass, eyes, power lines, and especially bodies of water. Clipson creates layered superimpositions of these objects through rewinding the camera and re-exposing the film stock from another iteration of the subject.
Read MoreGME is pleased to announce a special free stream for the month of August of this musical with music, musicians, muses and fish… On a giant ferry, two mermaids (Tony Conrad and Genesis P-Orridge) play violin to attract the fish from the sea, when suddenly a giant fish with 30 dancers in its stomach lands on board.
Read MoreThe Utopian Avant-Garde: Soviet Film Posters of the 1920s explores the origins, high points, and eventual demise of this golden age of Soviet graphic design, a revolutionary, though doomed visual language that for a short time represented the explosion of dynamic, innovative filmmaking in the new Socialist society. Gartenberg Media distributes several of the milestone Soviet films which are well represented in this exhibition, including KINO-EYE (1924), BATTLESHIP POTEMKIN (1926), A SIXTH PART OF THE WORLD (1926), and TURKSIB (1929).
Read More1962 to 1964 was a pivotal moment in the evolution of American arts and culture, especially in New York City. These years, crucial to the development of Pop, Minimalism, and performance, saw the emergence of a new generation of radical artists, as well as venues that gave their iconoclastic work a home and a context. Movies, meanwhile, were undergoing a transformation of their own: the rise of a truly independent cinema, of works unencumbered by the medium’s aesthetic conventions and commercial imperatives.
Read MoreGME is pleased to announce the a special free stream for the month of July of this humorous glimpse at what happens every morning on the wavy sidewalks of Copacabana beach, as conceived by Vivian Ostrovsky, a citizen of the world who has made films in Brazil, France, Israel, Japan, the Soviet Union and the United States.
Read MoreJon, David and Fred recently visited Jonas Mekas: The Camera Was Always Running exhibition at the Jewish Museum to experience the multi-screen experience of this major filmmaking and cultural figure, who is also a central artist in GME’s collection.
Read MoreThis recent screening series (June 17-19) paid tribute to the work and legacy of Dore O., one of Germany’s most influential and pioneering experimental filmmakers, who tragically passed away in early March 2022. The series also marked the announcement of the publication “Figures of Absence. The Films of Dore O.” (ed. Masha Matzke), which will be released in English by archivebooks in late 2022.
Read MoreJean-Louis Trintignant, a leading French actor of subtle power who appeared in some of the most celebrated European films of the last 50 years, among them Bernardo Bertolucci’s THE CONFORMIST, Eric Rohmer’s MY NIGHT AT MAUD’S and Claude Lelouch’s A MAN AND A WOMAN, passed away recently at his home in southern France. He was 91.
Read MoreIn conjunction with the retrospective of artist - filmmaker Jonas Mekas at the Jewish Museum, films originally programmed at the Jewish Museum by Mekas in 1969 are being shown through the end of this month. Not shown in the current series, but screened back in 1969 was Warren Sonbert’s THE TUXEDO THEATRE.
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