GME Celebrates the Life of James Baldwin On the Centennial Celebration of His Birth

GME Celebrates the Life of James Baldwin On the Centennial Celebration of His Birth

On the occasion of the centennial celebration of writer and activist James Baldwin’s birth, GME pays tribute to his life, body of work, and lasting cultural impact with this photograph, taken by Raimondo Borea in 1979. An integral figure of both the civil rights and gay liberation movements of the 1960s and ‘70s, Baldwin — a Black, gay man — unabashedly tackled themes of racial inequality, masculinity, sexuality, and class in his writings, many of which are now heralded as significant 20th century American works.

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Watch Jon Gartenberg Introduce His Program of Politically-Trenchant New York City Symphony Films at Allied Productions Project Space

Watch Jon Gartenberg Introduce His Program of Politically-Trenchant New York City Symphony Films at Allied Productions Project Space

On August 9th, 2024, at 7pm, GME President Jon Gartenberg presented a program of politically-trenchant New York city symphony films, spanning 1984 to 2006, at Allied Productions Project Space (368 East 8th Street). The program featured Steve Bilich’s NATIVE NEW YORKER (2005) and Jem Cohen’s NYC WEIGHTS AND MEASURES (2006) digitally, and Jack WatersBERLIN/NY (1984), Abigail Child’s B/SIDE (1996), and Jim Hubbard’s ELEGY IN THE STREETS (1989) on 16mm. To view Gartenberg’s introduction to the program — and to hear artist and co-founder of Allied Productions, Jack Waters, introduce Gartenberg — watch the video here.

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July 2024 Roundup Related to GME Titles, Artists, and Colleagues

July 2024 Roundup Related to GME Titles, Artists, and Colleagues

It may be the dog days of summer, but that hasn’t stopped GME from keeping busy. Today, we reflect on screenings, events, and celebrations from July related to our multifaceted projects. Notably, an archival gem relevant to MoMA’s month-long Powell and Pressburger retrospective was unearthed from GME President Jon Gartenberg’s papers, and a true crime film by James Benning (whose films we exclusively distribute to North American universities) screened at Anthology Film Archives.

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REMINDER: Jon Gartenberg's "Politically-Trenchant New York City Symphony Films (1984-2006)" screens TONIGHT at 8pm at Allied Productions Project Space

REMINDER: Jon Gartenberg's "Politically-Trenchant New York City Symphony Films (1984-2006)" screens TONIGHT at 8pm at Allied Productions Project Space

REMINDER: Jon Gartenberg's program Politically-Trenchant New York City Symphony Films (1984-2006) screens TONIGHT at 8pm at Allied Productions Project Space (368 East 8th Street, Storefront West). Read on to learn about Gartenberg's commitment to excavating and exhibiting city symphony films, dating back to the early 1970s.

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James Benning's LANDSCAPE SUICIDE Screens at Anthology Film Archives Later This Month

James Benning's LANDSCAPE SUICIDE Screens at Anthology Film Archives Later This Month

On July 24th, at 9pm, and August 2nd, at 6:30pm, James Benning’s LANDSCAPE SUICIDE (1986) — which GME distributes to North American universities as both a DVD and DVD/DSL bundle — screens at Anthology Film Archives in the series Verbatim. A preeminent formalist filmmaker whose lengthy and distinguished career dates back to the early 1970s, GME is proud to be the sole distributor of Benning’s films to the North American institutional market. In addition to LANDSCAPE SUICIDE, GME distributes the following Benning titles as both DVDs and DVD/DSL bundles: 11 X 14, ONE WAY BOOGIE WOOGIE, 27 YEARS LATER (1977—2012), GRAND OPERA (1979), AMERICAN DREAMS (LOST & FOUND) (1984), O PANAMA (1985), DESERET (1995), FOUR CORNERS (1997), his CALIFORNIA TRILOGY (1999—2001), CASTING A GLANCE (2007), RR (2007), NATURAL HISTORY (2009), and RUHR (2014).

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GME Unearths Jon Gartenberg's 1990 Article on Michael Powell's PEEPING TOM, Now Screening at MoMA

GME Unearths Jon Gartenberg's 1990 Article on Michael Powell's PEEPING TOM, Now Screening at MoMA

On Wednesday, July 10th at 7pm, and Sunday, July 28th at 4pm, Michael Powell’s classic 1960 thriller PEEPING TOM will screen at The Museum of Modern Art as part of their month-long retrospective Cinema Unbound: The Creative Worlds of Powell and Pressburger. On the occasion of this celebration of Powell and Pressburger’s collaborations (and of Powell’s PEEPING TOM specifically — a controversial solo effort that horrified British audiences and film censors), GME has unearthed an archival gem from Jon Gartenberg’s papers pertaining to Powell’s still-shocking thriller. For the Spring 1990 issue of MoMA’s Members Quarterly, Gartenberg wrote an article that explores the psychological and voyeuristic capacities of the cinematic and photographic mediums as conveyed in both Powell’s PEEPING TOM and Alfred Hitchcock’s beloved 1954 thriller REAR WINDOW.

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June 2024 Roundup Related to GME Titles, Artists, and Colleagues

June 2024 Roundup Related to GME Titles, Artists, and Colleagues

Happy Summer from Gartenberg Media Enterprises! Today we reflect on screenings, events, and celebrations from June, in New York City and beyond, related to GME’s multifaceted projects. Notably, a suite of films by Warren Sonbert, whose body of work and legacy GME represents, played at the National Gallery of Art, while several films by Alexander Kluge, whose work GME distributes to the North American University Market, were shown at e-Flux Screening Room as part of an extensive, week-long retrospective.

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Vittorio De Sica's SHOESHINE, the Ideal Filmic Complement to Raimondo Borea's Boys' Town of Italy Photo Essay, Plays at Film Forum This Month

Vittorio De Sica's SHOESHINE, the Ideal Filmic Complement to Raimondo Borea's Boys' Town of Italy Photo Essay, Plays at Film Forum This Month

On October 17th, 2023, GME revisited, in honor of Italian-American Heritage Month, an indelible suite of images taken by Raimondo Borea, which documented the Boys’ Town of Italy in the early 1950s. Boys’ Town of Italy was a shelter created by Monsignor John Patrick Carroll-Abbing, an Irish priest working at the Vatican who witnessed the plights of homeless and orphaned children in Rome in the wake of World War II. Beginning this Friday, June 14th, and running through Thursday, June 27th, Vittorio De Sica’s SHOESHINE (1946) will play at Film Forum in a new 4K restoration by Martin Scorsese’s Film Foundation and Fondazione Cineteca di Bologna at L’Immagine Ritrovata, in association with Orium S.A. Restoration. Like Borea’s Boys’ Town of Italy photo essay, De Sica’s film chronicles the struggles of homeless and orphaned children in Italy after the war.

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