On Wednesday, July 10th at 7pm, and Sunday, July 28th at 4pm, Michael Powell’s classic 1960 thriller PEEPING TOM will screen at The Museum of Modern Art as part of their month-long retrospective Cinema Unbound: The Creative Worlds of Powell and Pressburger. On the occasion of this celebration of Powell and Pressburger’s collaborations (and of Powell’s PEEPING TOM specifically — a controversial solo effort that horrified British audiences and film censors), GME has unearthed an archival gem from Jon Gartenberg’s papers pertaining to Powell’s still-shocking thriller. For the Spring 1990 issue of MoMA’s Members Quarterly, Gartenberg wrote an article that explores the psychological and voyeuristic capacities of the cinematic and photographic mediums as conveyed in both Powell’s PEEPING TOM and Alfred Hitchcock’s beloved 1954 thriller REAR WINDOW.