September 2024 Roundup Related to GME Titles, Artists, and Colleagues

September 2024 Roundup Related to GME Titles, Artists, and Colleagues

Today we recap the numerous screenings, events, and celebrations from October — in New York City and beyond — related to GME titles, artists, and colleagues. Notably, GME President Jon Gartenberg collaborated with Elena Rossi-Snook to curate a program of films dealing with sex and censorship that screened at the New York Public Library. Additionally, a number of titles that GME distributes to North American universities appeared in screenings mounted by several noteworthy institutions last month, including the Harvard Film Archive, Metrograph, Light Industry, and the Film-Makers’ Cooperative.

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GME Presents Fall Flashbacks - Marcel L’Herbier’s L’ARGENT

GME Presents Fall Flashbacks - Marcel L’Herbier’s L’ARGENT

The end of the silent era (1928 and 1929) saw an apotheosis of the art and craft of the motion picture, just as the advent of sound was overtaking the film industry. At a time when movie theaters were being wired for sound, studios produced “talkies” that were more stage-oriented. The height of artistic achievement in late-era silent films was visually demonstrated in films emanating from France, Germany, the United States, and the Soviet Union; these countries produced masterworks of sweeping camera movement and rapid-fire montage. GME is therefore pleased to present a group of films from these major motion picture producing countries for academic study and appreciation. From France, L’ARGENT (1928) is Marcel L’Herbier’s silent film swan song, a super-production of epic proportions which combines dizzying camerawork with Soviet-era montage techniques

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