Two Zanzibar Films Distributed by GME Play at the Harvard Film Archive on February 3rd

Two Zanzibar Films Distributed by GME Play at the Harvard Film Archive on February 3rd

Jackie Raynal’s DEUX FOIS (1969) and Philippe Garrel’s LA CICATRICE INTERIEURE (1972) will play at the Harvard Film Archive on February 3rd in conjunction with the publication of The Afterimage Reader: a compendium of essays, assembled by The Visible Press, from the magazine Afterimage. GME distributes, to the North American university market, DEUX FOIS as both a DVD and a DSL file, and LA CICATRICE INTERIEURE as both a DVD/Blu-Ray combo pack and a DSL file.

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GME Pays Homage to Adrienne Mancia's Passion for Animation and Contributions to International Film Culture Coinciding With This Year's Animation First Film Festival

GME Pays Homage to Adrienne Mancia's Passion for Animation and Contributions to International Film Culture Coinciding With This Year's Animation First Film Festival

From Tuesday, January 23rd to Sunday, January 28th, the French Institute Alliance Française will present the seventh annual Animation First Film Festival. The program Best of Annecy 2023, which highlights work from last year’s Annecy International Animation Film Festival, will play on Friday, January 26th, at 9:45pm, at the FIAF Florence Gould Hall. The late Adrienne Mancia, a close friend and colleague of GME President Jon Gartenberg going back to the early 1970s, when they both worked in the Department of Film at The Museum of Modern Art, was one of the first curators to introduce the Annecy Film Festival in North America. She was also a jury member in 1993.

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Film by GME Consultant Matt McKinzie Plays in Film Diary NYC's Annual Festival This Week

Film by GME Consultant Matt McKinzie Plays in Film Diary NYC's Annual Festival This Week

On Wednesday, January 24th, at 4pm, the experimental short film QUEER DREAM TRIPTYCH, made by GME consultant Matt McKinzie, will screen in Film Diary NYC’s third annual film festival, titled “Coldest Winter.” Organized by Saint Piñero and Sage Ó Tuama, Film Diary NYC “programs experimental non-fiction films that capture the personal history and daily experiences of the filmmaker and the world they encounter.” GME is proud to distribute diary films of personal and poetic nature to the North American university market.

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GME Distributes Films by Sergei Eisenstein, Which Play in Anthology Film Archives' Essential Cinema Screenings for January

GME Distributes Films by Sergei Eisenstein, Which Play in Anthology Film Archives' Essential Cinema Screenings for January

As part of their Essential Cinema series, a collection of films screened on a repertory basis, Anthology Film Archives will show five works by Soviet filmmaker Sergei Eisenstein from January 13th to January 24th. GME is proud to distribute three Eisenstein titles to the North American university market — BATTLESHIP POTEMKIN (1926/1930), OCTOBER (1928), and OLD AND NEW (1929) — all of which are featured in Anthology’s program.

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GME Remembers Celebrated Star of Stage and Screen Glynis Johns

GME Remembers Celebrated Star of Stage and Screen Glynis Johns

GME remembers celebrated star of stage and screen Glynis Johns, who passed away last week, on January 4th, 2024, at the age of 100. This photo, culled from the Jack Mitchell collection, captures Johns during the original 1973 Broadway production of Stephen Sondheim’s musical A LITTLE NIGHT MUSIC.

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December 2023 Roundup Related to GME Titles, Artists, and Colleagues

December 2023 Roundup Related to GME Titles, Artists, and Colleagues

Happy New Year from Gartenberg Media Enterprises! As we ring in 2024, we’re reflecting on screenings, events, and celebrations from last month, in New York City and beyond, related to colleagues of GME, as well as films and/or filmmakers in our collection that we distribute to the North American university market. Notably, a mid-’60s sci-fi flick by Jean-Luc Godard returned to the big screen, while the Film-Makers’ Cooperative hosted a two-night benefit screening of an infamous Andy Warhol film — which GME President Jon Gartenberg was instrumental in rediscovering, in the mid-1980s, while working at The Museum of Modern Art.

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