GME News
This movie shows dissenters to the American mission marching down New York’s lower Broadway to gather at Zuccotti Park where the Occupy Wall Street kids were standing their ground. We live close to where the crowd turned onto Broadway and swept us along.
Read MoreShot in ravishing 35mm black and white and lavished with critical praise, Philippe Garrel’s LOVER FOR A DAY is a caprice of romantic agonies and reveries.
Read MoreGME distributes William Raban’s BROADWALK (1972) as part of SHOOT, SHOOT, SHOOT: BRITISH AVANT-GARDE FILM OF THE 1960S & 1970S screening in the Films of William Raban retrospective at Anthology Film Archives through June 11.
Read MoreWith the release of these DVD editions (published by Re:Voir), GME pays tribute to Jonas Mekas (1922-2019), who led a remarkable life both as the Godfather of avant-garde cinema as well as the signature artist who propelled the film diary into new dimensions of time, space, and memory.
Read MoreTHE MOST DANGEROUS GAME is a superb, pre-Code action-adventure film. Based upon a famous short story by Richard Connell, it follows big game hunter, Bob Rainsford, (Joel McCrea), as he becomes quarry for another, the opulently deranged Count Zaroff, (floridly played by Leslie Banks).
Read More"I am an eye. A mechanical eye. I am the machine that reveals the world to you as only the machine can see it. I am now free of human immobility. I am in perpetual motion.”
Read MoreFor two years, Benning assembled footage of trains throughout the U.S., depicting their movement through the frame of a static camera in a variety of surroundings.
Read MoreHELSINKI, FOREVER (2008), a portrait and city symphony of the white city of northern Finland, screened as part of Anthology Film Archive’s CITY SYMPHONY series.
Read MoreThe Dirty Looks: Eight Years On winter tour runs from March 10 - April 24 across the U.S. and into Canada.
Read MoreSonbert’s films consist of relentless montage. Scenes burst forth and quickly give way to the next. They inhabit the fringe of narrative, almost telling a story but never conveying character, conflict, or plot.
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