A WOMAN’S TOUCH demonstrates the evolution of Sonbert's work from an in-camera editing style to the perfection of a montage strategy. The film is also inspired by Alfred Hitchcock’s MARNIE (1964), which features a number of motifs; most notably, the color red. In A WOMAN’S TOUCH, the color red is seen throughout much of the film.
Read MoreWarren Sonbert described his 1976 polyvalent montage film RUDE AWAKENING as being “about Western civilization and its work; activity ethic and the viability of performing functions and activities.”
Read MoreGME presents key works published by RE:VOIR, a label that publishes and distributes classic and contemporary experimental cinema including films from the Dadaist, Surrealist and Letterist movements, films from the American avant-garde, diary films, arthouse features, animated works and hand-painted films.
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