PETER WEIBEL: DEPICTION IS A CRIME - Video Works 1969-75
“Why a crime? In literary times the observer could not only observe but also be involved in the action itself and report afterwards with words. With pictures you cannot do this, because you are confronted with the decision: either to act / to intervene or to observe / to make a picture, because you cannot at the same time intervene and make a picture. A literary poet can be involved in an action and report afterwards, a picture poet cannot report with pictures afterwards. If he wants to make a picture of a man killing another one, he has no time to prevent the killing, and if he does not prevent it, then he cannot take the picture. However, with this picture he can communicate the killing to us. This kind of involvement is the same at home: detached. Time and morality: The price of a picture is sometimes a victim.”
– Peter Weibel
“Peter Weibel’s (earlier works) ... belong to the heroic years of a period of upheaval in which everything seemed possible in art. However, the artist not only made his appearance as a critic of public media but took the opportunity of presenting his own themes.”
– Hans Belting, Art Historian
Contents
Format: DVD-PAL / Region 0
(No Regional Code); DVD/DSL Bundle
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PETER WEIBEL: DEPICTION IS A CRIME - Video Works 1969-75
(Austria, 1969 - 1975)
Director: Peter Weibel
_________________________________________
THE PUBLIC AS EXHIBIT (PUBLIKUM ALS EXPONAT)
(Austria, 1969)
• 1:20 minutes
• Video excerpts, photographs
• B&W
• Sound
◊
MORE WARMTH AMONG HUMAN BEINGS (MEHR WÄRME UNTER DIE MENSCHEN)
(Austria, 1972)
• 2:30 minutes
◊
DEPICTION IS A CRIME (ABBILDUNG IST EIN VERBRECHEN)
(Austria, 1970)
• 1:30 minutes
◊
INTERVALS (INTERVALLE)
(Austria, 1971)
• 1 minute
◊
TV-NEWS (TV-DEATH II) (TV-NEWS (TV-TOD II))
(Austria, 1970)
• 5:50 minutes
◊
SYNTHESIS. ON/OFF (SYNTHESIS. EIN/AUS)
(Austria, 1972)
• 1:50 minutes
◊
TV-AQUARIUM (TV-DEATH II) (TV-AQUARIUM (TV-TOD I))
(Austria, 1970)
• 1:30 minutes
◊
THE ENDLESS SANDWICH
(Austria, 1969)
• 2 minutes
◊
EVERY ACTION CAUSES ANOTHER (JEDE AKTION LÖST EINE ANDERE AUS)
(Austria, 1967)
• 0:20 minutes
◊
IMAGINARY WATER SCULPTURE (IMAGINÄRE WASSERPLASTIK)
(Austria, 1971)
• 0:50 minutes
◊
SWITCHERSEX
(Austria, 1972)
• 5:35 minutes
• Video
• B&W
• Silent
◊
TRITITY (TRITITÄT)
(Austria, 1975)
• 8:35 minutes
• Video
• B&W
• Sound
◊
SELF LIMITATION – SELF DRAWING – SELF DESCRIPTION (SELBSTBEGRENZUNG—SELBSTBEZEICHNUNG - SELBSTBESCHREIBUNG)
(Austria, 1974)
• 12:40 minutes
• Video
• B&W
• Silent
◊
PARENTHETICAL IDENTITY (PARENTHETISCHE IDENTITÄT)
(Austria, 1974)
• 3:10 minutes
• Video
• B&W
• Sound
◊
MONODROM
(Austria, 1972)
• 5:30 minutes
• Video
• Color
• Sound
◊
CHAMBER MUSIC (HAUSMUSIK)
(Austria, 1972)
• 17:55 minutes
• Video
• Color
• Sound
◊
TIMEBLOOD (ZEITBLUT)
(Austria, 1972)
• 4 minutes
• Video
• Color
• Sound
_________________________________________
_________________________________________
Total Running Time: 01:16:05
Published By: Index Edition
Booklet Text: Hans Belting (Bilingual German & English)
Institutional Price: $250 (DVD only); $500 DVD/DSL bundle (plus shipping)
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